| Andriote comparative essay version #2 |
[Dec. 15th, 2006|11:10 pm] |
Andriote, John-Manuel. Victory Deferred: How AIDS Changed Gay Life in America. Chicago: University of Chicago Press, 1999.
Kramer, Larry. Reports from the Holocaust: The Making of an AIDS Activist. New York: St. Martin’s Press, 1989.
Schulman, Sarah. Stagestruck: Theater, AIDS, and the Marketing of Gay America. Durham, NC: Duke University Press, 1998.
Vaid, Urvashi. Virtual Equality: The Mainstreaming of Gay and Lesbian Liberation. New York: Anchor Books, 1995.
As journalist John-Manuel Andriote notes in the subtitle to Victory Deferred, AIDS changed gay life in America. In the most immediate sense, AIDS in the 1980s was a horrific disaster that obliterated a generation of gay men and left indelible emotional scars on those left behind. Despite the scorn and shame that plagued those suffering the disease in the early years, AIDS led to a greater visibility for gays, mainly due to the large numbers of closeted men forced to “come out” because they were dying. Eventually, AIDS inspired a political revolution within the gay community, as determined activists built up a movement to demand that government and business sectors behave responsively and responsibly to help those with the disease in their fight to live. Combined with a politically astute lobbying effort, this gay movement succeeded in increasing access to promising drugs and forcing Congress to approve hundreds of millions of dollars for AIDS-related services. However, success in acquiring funding did not lead either to a cure for AIDS or a significantly more powerful gay right’s movement. The 1990s brought increased visibility for gays but little solid progress toward genuine political and social equality. Increased representation in the media often upheld stereotypes and suggested a fantasy gay life in which homophobia was non-existent. The AIDS crisis itself was becoming a commodity undergoing repackaging to make it safe for consumption by straights. Andriote’s Victory Deferred provides the starting point from which I will explore in this essay the transformation of gay politics and culture as a result of the AIDS epidemic. In addition to Andriote, I will examine the writings of three activists who express a variety of concerns regarding the social and political legacy of AIDS. Larry Kramer provides powerful articles and speeches from pivotal moments in the plague years along with extensive commentary providing personal and historical context. He ultimately concludes that the gay community’s sluggish response to the disease makes it in some sense responsible for the damage done. Urvashi Vaid argues that by the mid-1990s the gay rights movement had become stagnant and ineffective. Sarah Schulman looks at representations of gay identity and culture in mass media and suggests that the 1990s were a time of appropriation, commodification, and sanitization of gay experience for straight and gay consumption. The title Victory Deferred refers to two wars being waged by the gay community, one against homophobia and one against AIDS. The book is primarily concerned with the latter conflict, though the former is ever-present as a barrier and a burden. Andriote begins his narrative in the late 1970s. He argues that he post-Stonewall gay liberation movement had largely subsided, and only in San Francisco could a politically significant gay community be said to exist. The national movement consisted of one lobbyist in Washington. The overwhelming majority of gay men were thoroughly apolitical, content to express their gay identities through promiscuous sexual activity in the context of a party and bathhouse culture. Lesbians continued to uphold a radical feminist ideal, but they also operated largely within insular communities with limited exposure to the larger homophobic world. When the plague appeared in 1981, the gay community’s isolation proved a major barrier to providing PWAs (people with AIDS) with the help they needed. Outside of San Francisco, politicians considered the disease to be a gay problem and thus not a situation they needed to address. Denying the holocaust before them, fearful gays shunned PWAs. Since so few others were willing to help, those stricken with the disease operated many of the earliest service programs to meet their needs and boost awareness of the disease. As increasing numbers of gay men overcame their fears and assumed responsibility for their peers, they founded ASOs (AIDS service organizations) such as GMHC. However, the scale of the disaster was overwhelming. A small number of treatments finally became available in 1987, but they were prohibitively expensive and highly toxic. Furthermore, elaborate testing protocols and the labyrinthine FDA approval process held up the release of other drugs that potentially offered hope to PWAs. Outraged by the apparent indifference toward this suffering by pharmaceutical companies and government agencies, Larry Kramer and a younger generation of gays founded ACT UP (the AIDS Coalition to Unleash Power). ACT UP launched dramatic media-savvy protests that facilitated the development of new medical protocols and a streamlined FDA approval process. Simultaneously, gay lobbyists pressured Congress to approve the Ryan White CARE Act, a comprehensive program to provide hundreds of millions of dollars for AIDS-related services. However, this success contributed to divisions within the movement. As medically savvy gay activists increasingly developing productive relationships with the drug industry and the government, they rejected the guerilla tactics of ACT UP. In numerous other ways Andriote presents the 1990s as a decade of hope and progress complicated by various problems within the movement, including class- and race-based divisions, resurgence in unsafe promiscuous sex, and woefully inefficient ASOs. Despite recognition of ongoing difficulties and the lack of a cure for AIDS, Andriote concludes Victory Deferred with a chapter that reads like an elegy for those who were lost in the course of a war that is nearly won. Each of the three remaining books in this study present far more pessimistic views. Larry Kramer expresses a deep sense of cynicism and rage in Reports from the Holocaust, his extensively annotated collection of speeches and articles from the first seven years of the AIDS epidemic. Kramer is the single most influential gay activist of the 1980s, having founded Gay Men’s Health Crisis (GMHC), the first significant ASO in New York City. He also started ACT UP, the foremost direct action protest group. By his own acknowledgement, Kramer is a polemicist, and many of the passages in Reports suffer from an excess of hyperbole. However, his anger is justified by the reality that hundreds of his friends and acquaintances were dying at a time when neither the institutions of government nor much of the gay community were taking necessary action. At the beginning of the AIDS crisis Kramer was already a pariah among a large sector of the New York gay elite due to his criticism of the culture of promiscuous indulgence in his 1978 novel Faggots. Even though he co-founded and served as de facto spokesman for GMHC, he quickly became alienated from others in the group who disapproved of his blunt assertions that the city’s gays needed to become less sexually active and more politically engaged. Shortly before his departure from GMHC in 1983, Kramer wrote a piece called “1,112 and Counting” for the local gay newspaper. It opens as follows: “If this article doesn’t scare the shit out of you, we’re in real trouble. If this article doesn’t rouse you to anger, fury, rage, and action, gay men may have no future on this earth. Our continued existence depends on just how angry you can get.” (Kramer, 33) Four years later, with the number of AIDS cases having risen to over 30,000, Kramer used the same words in the speech that led to the creation of ACT UP. With its young radicals committed to direct action, ACT UP truly represented the ideals of its founder. Unsurprisingly, however, Kramer found that he did not long have a place in this organization in which “everyone is very opinionated, and very angry.” (Kramer, 138) The rest of the articles in the book consist primarily of Kramer railing against whichever party he feels at the time is not meeting their responsibilities to address the AIDS crisis, whether it be National Institute of Health director Anthony Fauci, New York City mayor Mario Cuomo, or Max Frankel of the New York Times. Kramer closes the book with a disturbing essay that explicitly compares his experiences with those of Jews during the Holocaust. In particular he addresses the troubling question posed by Hannah Arendt, who wondered about the complicity of Jews in their own undoing. Kramer sees the large numbers of gays who continue to live the lie of the closet, and he sees complicity. He declares that “I don’t believe that we made AIDS, but I believe, by our not rising up in any coherent, cohesive, visible way, we allow it to continue.” (Kramer, 262) While Kramer clearly is indicting himself as part of this massive moral failure, the subtext appears to be that those most responsible are gays seeking to live a lifestyle rather than embrace a cultural identity or a political program. While Urvashi Vaid does not bear the psychic scars of AIDS as clearly as does Larry Kramer, she nonetheless expresses similar concerns about the future of the gay movement. Vaid, largely through her work in the National Gay and Lesbian Task Force (NGLTF), has played a major role in bridging the gap between younger street activists and more professionalized actors in the gay rights movement. Writing in the mid-1990s, she suggests in Virtual Equality that the gay community has pursued a policy of mainstream assimilation whose natural consequence is the persistence of homophobia. The reason for this is that “civil rights can be won without displacing the moral and sexual hierarchy that enforces antigay stigmatization: you do not have to recognize the fundamental humanity of gay people in order to agree that they should be treated equally and fairly under the law.” (Vaid, 179) The ultimate example of such a policy, Vaid argues, is the “don’t ask don’t tell” compromise regarding gays in the military. While supposedly a progressive measure providing protection against persecution, the result of this policy is the perpetuation of a homophobic environment. People do not learn to tolerate and respect difference by pretending that it does not exist. Vaid does not reject the rights-based legalistic approach, but she argues that it must be accompanied by strategies that seek to address social and cultural attitudes toward gays and lesbians. Like Kramer, Vaid sees the lack of sustained participation as a major barrier that conspires against gays organizing an effective social movement. The AIDS crisis brought thousands of frightened gay men and their friends into political organizations, but as improved drug regimes and extensive federal funding reduced the fear of AIDS many of these situational activists returned to their apolitical lives. Similarly, strong action by Christian conservatives that threatens the economic and civil status of gays results in a temporary boost to activist networks’ membership lists. Vaid argues that merely responding to crises rather than maintaining a proactive movement will never provide gays and lesbians with the political and cultural clout needed to attain genuine equality. Vaid espouses the development of activist alliances with groups who face persecution or violence on the basis of race, ethnicity, gender, or religion. This would benefit the gay community in that “it would involve us in educating people who are unfamiliar with us, or threatened by us, on the common problems we face as members of the same community.” (Vaid, 208) How the apolitical gay masses are to be drawn into such a project remains unclear. Vaid identifies two other trends that work against the development of a successful and proactive gay rights and liberation movement. The first is the Christian conservative movement, which Vaid labels the “Supremacist Right.” This movement enjoys both well-funded professional lobbyists and a highly mobilized grassroots base. While too radical to attain formal political power, organizations such as the Christian Coalition have successfully used voter initiatives to restrict gay rights while fighting to frame the issues in such a way as to claim a moral high ground. The other challenge is the culture of personal attack that any potential gay leader has to accept as the price of leadership. Divisions within leadership, Vaid contends, are inevitable in light of the variety of strategies and ideologies represented in the movement. However, the environment among gay leadership and the people they claim to represent is particularly harsh and personally disrespectful, possibly as a result of the lingering internalization of feelings of inferiority. As with several other issues addressed by Vaid, this is not a problem unique to the gay movement. Whereas Vaid criticizes mainstream assimilation on the grounds that it promotes institutionalized homophobia, Sarah Schulman considers the same issues as they play out in relation to cultural authenticity and the commodification of homosexuality. Schulman was one of the first organizers in ACT UP and, when political shifts led to the departure of many gay men from the radical movement, she co-founded the Lesbian Avengers. In Stagestruck, an unusual combination of biography, literary analysis, and social commentary, Schulman tells the story of how the plot of her novel People in Trouble was folded into the smash Broadway musical Rent. Surprisingly, Schulman does not appear particularly upset with the fact that she has not received compensation from the multibillion-dollar Rent industry. Instead, Schulman rages that Rent creator Jonathan Larson altered her story to make it less about the experience of struggling working class gay PWAs and thus more appealing to a mainstream audience. In People in Trouble all the major characters are gay men or lesbians and the plot prominently features the themes of class-consciousness and homosexual identity. Rent tells the story of a heterosexual protagonist living in an idealized East Village bohemia absent divisions based on class, race, gender, or sexuality. Larson reduces gays and lesbians to the role of disposable sidekicks and narrative foils, and their suffering from AIDS, the central point of the story, thus is rendered innocuous. Schulman identifies this gentrification of her story as part of a larger trend in which a stereotypical and unthreatening fake homosexuality supplants authentic expressions of gay culture and life. Another prominent example is Philadelphia, the 1992 Tom Hanks Oscar vehicle in which Hanks plays a gay lawyer dying of AIDS. This gay lawyer, who apparently has never heard of Lambda Legal Defense, has to seek council from a blatantly homophobic straight lawyer who must heroically overcome his disgust to represent his soon-to-be-deceased client. The straight lawyer is the audience stand-in and the hero. Schulman argues that “we are in a very tender moment when society is making a transition in its understanding of AIDS from lived experience to packaged image.” (Schulman, 146) Schulman recognizes that commercial forces are robbing the gay community of the collective memory of neglect, suffering, and courage that powered groups like ACT UP. What Schulman finds most abhorrent is the degree to which such empty substitutes are marketed to lesbians and gays who are so desperate for any representation of themselves that “it is very seductive for gay people to confuse the presence of limited gay images in advertising with some kind of social equity, but it is entirely illusory.” (Schulman, 143) Schulman sees a disturbing trend as the national gay press becomes increasingly insubstantial and non-confrontational as AIDS treatments become more successful. At the same time, new publications geared specifically to PWAs package the disease as a lifestyle with its own sets of commodified products and experiences. While Schulman clearly does not view the commodification of gay culture as progress, mainstream assimilationist gays may very well see the issue differently. Despite the efforts of gay intellectuals to articulate an identity that transcends same-sex physical attraction, the movement has remained fractured between gay ideals of left-leaning liberation and apolitical self-interest. This conflict of values within the movement can be traced at least as far back as 1953, when assimilationists forced Harry Hay to step away from the Mattachine Society. It appears again in the early 1970s, as the post-Stonewall liberation spirit slowly faded into the sexual liberation of the pre-AIDS era. A similar dynamic appears to have occurred in the early 1990s, as the “respectable” gay community largely rejected the radical tactics of ACT UP. Given the different kinds of competing forces within the gay community at each of these historical moments, declarations of repeating patterns must be made very tentatively. However, the basic dynamic appears to be that in moments of crisis a radical impulse that is always present within the movement temporarily takes precedence over the more conservative, privacy-oriented institutions that generally dominate gay life in America. Once the crisis passes, the radicalism recedes back into the margins of the movement. Despite these irregular cycles and the deeply felt pessimism that penetrates the analyses of all three activists reviewed in this essay, I believe that the overall trend in recent gay history is toward the expansion of political rights and cultural acceptance. The Supreme Court ruling in Lawrence v. Texas showed that working within the legal system could produce positive results. Despite the determined efforts of the Christian right to suppress it, the gay marriage debate is significantly transforming straight notions of gay ideals. While many of the dynamics Schulman criticizes so astutely continue to hold sway in Hollywood and on Madison Avenue, Brokeback Mountain and Queer as Folk do not ignore homophobia or decentralize gay characters like Rent and Philadelphia. These may not be the same forms of progress as activists such as Vaid and Schulman ideally hoped for in the 1990s, but they represent progress nonetheless. When Larry Kramer rails today against the drug use, promiscuity, and general narcissism that pervade gay youth culture, he sounds more like a cantankerous community elder than a genuine harbinger of doom. Perhaps in the future there will be another crisis, another historical moment that causes lesbians and gays to unite around a shared identity based on common experiences and ideals. However, the current movement appears to be toward a kind of gay liberation in the context of a profoundly heterogeneous community in which gay identity, while significant, is not the primary basis for political identity. |
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